tat2Ralfy
Well-Known Member
Bart said:Gary,
there's really not much more to say. I reckon you read the Advanced Feedback Markers article. Apart from that, it's all feel and doing too many laps.B) After a while you start doing less laps, till the point you notice the edge is not quite there when finishing. Now, "what is not quite there?" I can hear you asking. For me, when finishing I always do 50-something laps on water as a no-brainer. Then I test with the HHT. Everything less than a "violin" I consider "not quite there", and that requires reaching back into a thin slurry. But if I get the "violin", I know that if I keep at it, I'll eventually get the edge to sever hanging hairs. So I might do 1 rub with the slurry stone, add water and do 30 laps. I check again. Something will have changed, maybe the violin plays louder, maybe some parts of the edge start to catch & pop. So I might get up to get my shaving brush and paint lather on the Coticule before I do 30 stropping strokes. I check again, with half of the previous hair, that's just lying there. I might decide to do 20 half strokes on each side of the blade (water only). HHT. 100 rapid X-stokes with the spine in good contact, but the edge barely floating over the surface. HHT. Drystropping on the Coticule? Be my guest. HHT. Sometimes I find the edge at the very frist HHT, sometimes it takes me more perseverance. But I am confident that I can get there, so I don't give up. I don't come near a strop before my edge catches and pops hair along the entire edge. It saves money on CrO
Best regards,
Bart.
Hey Sir Bart, I read this post eagerly at the time of posting, and have come back to it tonight as I am just starting on water, finishing off a Dilucot hone on my Dovo (the one you did for me) and I have to say:
You dont do such a variation of things do you? c'mon My friend, i reckon you stick with just water or maybe a very light stroke of the slurry stone just to start then back on with straight water doing lighter and lighter laps?
Whatcha say amigo??