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Honing On Japanese Natural Hones, an ongoing journal

Have either of you looked at the edge under like 60X mag? is it tiny tiny scratches or coticule like sandblasted? I ask because i have a Welsh natural that gives a very sharp edge quite quickly on slurry, but I have tried a dilocut type of approach with it and fond the edge Just doesnt polish up, now you got me thinking that I should give it a go with slurry, tbh its all a bit foreign to me, how do you go from creating a sharp edge to one thats sharp and smooth? if you see what I mean? theres only stroke pressure if you dont mess with the slurry aint there?
 
A good way to get over 'fear of slurry' is to use an Aoto on your kitchen knives. It's not dissimilar to making mud pies. As one of the foodieforum guys says, 'An Aoto is a pig. It'll get mud in your ears if you're not careful'.

And I'm taking notes, and nearly ready to start on honing with the coticule. I'd wanted to wait for my combo nagura but it's going to be another week at least before I get it.

That's too long. I've got a japanese nagura that might work ok, can't see how it'd hurt anything..
 
One interesting question I have, and this has been on my mind for some time now, is this. Does the slurry dynamics change by using a different slurry stone? I somehow think it should but haven't played with it yet.

And if it does, doesn't this change the characteristics of the stone you are using?

Just a thought.

Ray
 
Just a quick note for all that are going to try to translate this to a Coticule (something I can only cheer upon):
Coticule garnets DO NOT break down into smaller fragments. Spessartine crystals (the garnets) don't cleave.
I think the key factor here is that the abrasive particles of Japanese hones do break down into smaller fragments. I can imagine that it takes heavy slurry, a lot of rubbing and honing to optimize this process. Once properly broken down, I have no idea what the best approach would be: slow dilution? Or allowing them to slowly dry and hone on that?
Awaiting Jim's next post with excitement here.:) I can also imagine that the particles that remain embedded in the hone's surface are affected by the heavy slurry work too, leaving a temporarily more refined surface?

If any of my assumptions is correct, this perfectly illustrates the point I made earlier on, i.e. that working principles of one hone are not to be copied to another without careful consideration. When I started postulating a year and a half ago that on Coticules it's the slurry itself that has a slight blunting effect on the razor, I was only talking about Coticules. Knowing that some guys originally ridiculed those statements, it's all the more funny that everyone now seems to think that slurry dulls on all hones :D.

So far my best shot, Jim.

Kind regards,
Bart.
 
Rich, it could well have been the slurry...

Ralfy, a good natural Japanese hone should leave a misty "haze" finish on the bevel. Under magnification, it looks like rain on a windshield. I'm going to be getting into some theory soon, so more on this later.

Mitch, I think Bart already implied this, but what I'm describing (especially in my next couple of posts) will very likely not work AT ALL on a coti...but hey, trying is half the fun!


Ray, yes. Absolutely, unequivocally yes...which is where the conversation I had with you and Sham comes in, if you remember. I've been learning since then, and when I start talking about theory, I'll give what I know about this.

Bart, Thank you! Yes, I really don't want people to think I'm talking about anything other than the two stones I have. And yeah...there was some serious doubt thrown about when I mentioned slurry before. C'est la vie...

As for the surface of the hone, I can't speak much to that at the moment. It'll take a lot of time for me to feel ready to investigate that particular assumption--but I've made it too.

But like I said, theory later. I'll try to post more later, but the little lady is waiting to watch a video with me.

Ciao, Belli!
 
Very Interesting Jim Thank you.
So I assume they work because the abrasive splits and wears as you work the slurry, almost like wet/dry paper that feels finer as it wears out with use? a nice fresh slurry cuts the bevel into a sharp edge, and as the slurry wears, it starts to refine and polish the edge as its abrasive propery lessens, so I again assume the skill lies in maintaining a balancing act and keeping the edge keen as the stone turns from keen cutting to finishing?
Fascinating!

Also if my assumption is correct? how many laps are we talking here from fresh slurry to polished edge? is it a fast break down or a slow one, I saw your Barber did spend a lot of time raising slurry, so I assume it has to be heavy to cut that bevel initially? which leads me to think the slurry breaks down quite fast, there being no need to do 300-400 laps as I can with dilocut?

Of course all of the above is based on assumption....lol

I must try my Welsh natural to see if the same is true of the slurry? only having experience with coticules I never imagined slurry would wear out, so to speak.
 
tat2Ralfy said:
Very Interesting Jim Thank you.
So I assume they work because the abrasive splits and wears as you work the slurry, almost like wet/dry paper that feels finer as it wears out with use? a nice fresh slurry cuts the bevel into a sharp edge, and as the slurry wears, it starts to refine and polish the edge as its abrasive propery lessens, so I again assume the skill lies in maintaining a balancing act and keeping the edge keen as the stone turns from keen cutting to finishing?
Fascinating!

Also if my assumption is correct? how many laps are we talking here from fresh slurry to polished edge? is it a fast break down or a slow one, I saw your Barber did spend a lot of time raising slurry, so I assume it has to be heavy to cut that bevel initially? which leads me to think the slurry breaks down quite fast, there being no need to do 300-400 laps as I can with dilocut?

Ralfy, your assumption sounds spot on--that's just what I think happens. And you pose some VERY well timed questions.

I went in to see Kawaguchi-sensei today, to drop off a bottle of Bourbon I picked up for him in the States, and of course to get a haircut (the man is a barber, after all). I also took along my new Tamahagane to get the edge assessed.

The edge assessment went well--he gave it 80-90/100, so a solid B. Seeing as how I started out from 0, that felt very good. The edge on that razor, by the way, is undoubtedly the best I have ever honed myself. Smooth as silk--if I can get it to 100, then it will be a dream shaver, no doubt.

But of course, how to get it to 100 was on my mind, and apparently in his opinion my final challenge is exactly what you described here, Ralfy--getting that perfect balance in the slurry.

The slurry on my stone breaks down pretty quickly, within 2-3 minutes of honing. As it darkens, and thickens, you can feel the razor start to stick, and the edge starts to polish more than hone. Now, I have only recently been learning about refreshing the slurry--and of course, today he gave me some insights into it. When the slurry starts to get "sticky", turning into a paste rather than a liquid, it's time to add water and refresh with the nagura. According to him, you have to do that at least three times to get a good edge on a razor, depending on the hardness of the steel and the quality of the edge to start with. In honing my Tamahagane, I think I was refreshing the slurry too late, and it took me at least 5 rounds to get my 80-90% score.

When I started working with the slurry he told me to make, I would hone until the slurry had turned into a thick, pasty film on the hone--almost like glue. If the edge wasn't there, I would start over. Looking back with what I've learned recently, I think I can say it's not a BAD way, it will get you there, but it adds unnecessary time and effort (i.e. I was polishing when I wasn't done honing).

Now that I have a better idea of when to refresh, I think it will go more smoothly.

Now, I don't like talking about lap numbers, for a couple of reasons. One, my stones are very likely of very different dimensions than yours, and that effects the laps. Two, it's not just the slurry breaking down that effects the polishing, but the water level--the thicker/drier the slurry gets, the more the polishing effect (yes, that sounds counterintuitive, but I'll get to that soon). And three, it's just way too analytical. I overanalyze anyway, but perhaps the best thing that Kawaguchi-sensei has taught me is to just shut up and hone. Counting laps and analyzing scratch patterns gets in the way. The razor and the hone will tell you when they're ready, when you learn to listen...and I'm slowly learning to listen.

But, if it helps you, I reckon the only time I have gone over 200 laps on these hones was honing out a huge chip. That took literally hours. The regular honings, if I had to guess, would be...120 laps? Probably, yeah. It was taking me longer at first, but I can't imagine doing 400 laps...I'm a slow honer, and that would take me a week!

Now, to address Ray's question about slurry stones.

I have been looking at and researching Nagura for a while. The reason it has taken me a while is, the information has been scattered, and really only one man has written anything meaningful about them--Kousuke Iwasaki, father of Shigeyoshi Iwasaki and the man who put the name on the map, as it were. He's also, in a real way, the father of modern Tamahagane...but that's probably putting it a bit strongly.

Anyway, Iwasaki-shi was a researcher and a blacksmith, and he was utterly dedicated to making as perfect an edge as he could. To that end, he not only researched metallurgy, but stones as well. He found that Nagura, which were small, chalky stones used to make a slurry on Japanese hones for hundreds of years, had different types, and indeed the best didn't come from the "Nagura" mine at all. The best Nagura come from a place called Mikawa, and the Mikawa Nagura have 4 essential types. (The following is a brief rundown taken from Kousuke Iwasaki's book "How to hone kamisori and razors".)

First, is Botan. This stone, when used on a hone, makes a fast, coarse slurry. It is best for removing chips and straightening an uneven bevel.

Then come the Tenjou and Mejiro. These are finer and slower than the Botan, and suitable for les drastic work, like honing out a slightly rounded edge.

Then comes Koma, which is both very fine, and very fast--it's suitable both for polishing AND for repair, and thus is more expensive and hard to find.

HOWEVER, for the final edge, for getting the best you can get, you need what he called "Small form Honyama", i.e. a small piece of Nakayama Maruka stone, about the size of a matchbox. When used as a nagura, this stone will raise a slurry of the finest particles, which still cut quickly but then break down even finer to polish the edge.

This final stone is the key to getting a good edge, and this is what I have from my barber. When used properly, the small form honyama is able to put an exquisite edge on a razor. It is a bit slow for real repair work (I can attest to this form personal experience), which is why the other Nagura are also recommended, but for the final polish it can't be beat.

Now, in the book he wrote on how to hone razors, the only hone mentioned is the Honyama Maruka. No coarse or rough stone is necessary--just one finishing hone, and the different Nagura. For the care and honing of razors, this is all that is necessary--according to Kousuke Iwasaki, metallurgist, researcher and expert blacksmith.

Thus, using one VERY HARD (this is important) very fine grit stone, and different slurry stones, you can have a full specturm honing experience. Of course, if we're talking extreme damage, then maybe you should get an Aoto or arato...but then, Barbers rarely bought razors off of eBay in 1964. :D
 
I spoke to a member of SPR about how he used his J-Nat, and he also said that the slurry will break down while drying out. However, he suggested that I hydrate the slurry and slowly dilute it as I hone. Next time I will refresh it a few times just to see how it works.

One question: Do you just wipe it off as the barber does in the video?

Tell him that I said hello and thank you for the demo. Honing and a glass of whiskey sounds like a great way to spend the afternoon!
 
JimR said:
However, this is a good time to remind everyone: I can NOT recommend anything about using your own hones. These hones might be unusual or even unique, so please don't think I'm advocating everyone go out and say "Jim told me to use heavy slurry!" cause I'm not. At the same time, if you're having disappointing results, maybe slurry is something to try.
Jim, I'm quoting the above, because we should discuss this. I wholeheartedly disagree. Ok, no one should copy your recommendations like a parrot, but you must not qualify your writings as something people could try when they have tried everything else. You've got your recommendations from a reputed source, and you've confirmed them with empirical evidence. That turns your information into much more than something to try when everything else fails.

All required is that we try to make some generalizations as a starting point for those that want to try the applied principles. Here's what I distill out of your excellent write-up so far:

On a Nakayama (is that the correct term, or just a brand?) a good thick slurry needs to be raised at the start of a honing job. That slurry needs to be carefully rubbed till it's a thick paste, so that it breaks down and/or wears off and/or sooths the surface of the hone. Next this slurry needs to be used to hone, both to refine the edge and the slurry. As soon as the edge is ready for the next level and the slurry is all set, it must be diluted in order to reach the finest finish.

Does that sound as a good starting point to you, to try this honing approach on other Japanese hones than the ones you have, e.g. mine? :)
picture.php


Best regards,
Bart.
 
I have to agree with Bart. There is nothing wrong with sharing an opinion based on a whole lot of research, experience, and mentoring by someone with a ton of experience. Don't be scared Jim;)
 
Bart, Rich, thanks for your votes of confidence. What I fear is that people will look on me as an expert--and I am NOT that. I have been honing for only a few months, and I have honed nowhere near the 100 razor mark (strangely enough, Kawaguchi said that 100 razors was the magic number, too). I certainly don't have enough time with these hones to tell anyone what they are or aren't doing wrong--I can only pass on what I have been taught, and what research is showing me to be the traditional way these hones have been used. So, with that in mind, here's how I do it.

First, the hone needs to be wetted---not dripping, but a good film of water.

Take you slurry stone (if you are just honing an edge, not cutting a bevel or repairing damage, a slurry stone is used, NOT a nagura. A diamond hone or another piece of Honyzan stone) and raise a thick slurry---like whole milk, or cream.

Begin to hone using no more pressure than needed to keep the razor on the hone, using slow even strokes--x strokes, circles, whatever you feel most comfortable with. Comfort is important, keep your body moving smoothly and without strain.

As you hone, the slurry will start to break down, and it will also start to thicken as it does. This is because the particles are getting more numerous, and steel is being taken off, and water is being drawn into the stone.

When the slurry starts to get "sticky", and darkens significantly, add a bit more water to lubricate, and then raise the slurry again so that is is again like cream or whole milk.

Continue this until the entire bevel has attained a uniform level of hazy whiteness...there should be no visible scratches or "shiny" patches. It should be UNIFORM. At this point, continue to hone until the slurry is down to a thick, dark paste. You shouldn't dilute unless the razor starts to stick to the hone. I personally don't use any sharpness checks until this point. Try the TPT and your hair tests, again whatever you feel comfortable with. If the razor is not where you want it to be, then go back to the beginning.

Don't worry about the thick slurry screwing up your edge, don't worry if you have to restart, just hone. The thick slurry is not as aggressive as you think it is.

If you want to finish on water only, go ahead. I don't do it, I've found no benefit so far and my barber told me not to.

All I can say is, try it. gentlemen. Let me know how it works.

It takes patience, calm, and faith that in the end it will be ok.

Thus I have learned.
 
OK, let's look at another case study.

Case Study 3: Oh Torrey, My Torrey... (historical)

When I returned from the honing lesson shown in the video I linked earlier, I decided to really buckle down. Kawaguchi-sensei had given me lots of ideas on what to work on--stroke issues and posture, and of course the slurry thing. He had told me that I could even out some of my uglier mistakes with a couple hours of honing. One of these mistakes was on the little Torrey you see in the video--I had been making uneven strokes, so the bevel was wider at the tip than the heel. So this was the problem I decided to go for.

But when I got the razor out, much to my surprise there was a massive chip in the bevel--extending about 3 mm along the blade, and about .5 mm in, a large half-moon chunk was gone. OUCH!

But, I figured, this would be an excellent chance to work on my honing stroke.

So I got out my slurry stone and went to work.

Now, bear in mind that I was just starting to get the ideas that Kawaguchi-sensei was giving me. Using heavy slurry, focusing on body movement, it was still very new (in fact, I can say the same today). But I had the general basics, I thought, and so I built my slurry and started honing.

I vaguely understood that I would have to refresh the slurry, as it would eventually be breaking down and polishing, rather than taking off the steel, but I wasn't sure when, so it was irregular going. I would hone, and hone, and refresh slurry, and hone...

And Hone...

And Hone...

You get the picture.

All told, it probably took 4 hours to get that chip out. But get it out I did, with no nagura or rough stones, just heavy slurry on an Awasedo.

Looking back, I was wasting effort with the Small-form Honyama. I should have used the Botan to take out the chip, then moved up to Mejiro, and then finish with the honyama slurry stone. It still would have taken a long time, I think, but not THAT long.

In the end, however, I fixed the chip...but not the uneven bevel. Double D'oh!
 
Jim-Can you expand on the idea behind using difference slurry stones? My Nakayama came with a "nagura", but I know realize that term is a bit misleading and overly used. Should I use my 8k diamond plate to get the final slurry going?
 
jonnyangel said:
Jim-Can you expand on the idea behind using difference slurry stones? My Nakayama came with a "nagura", but I know realize that term is a bit misleading and overly used. Should I use my 8k diamond plate to get the final slurry going?

That depends...what do you know about the nagura? Can you give me pictures? Is it hard, or kind of chalky? Does it have any stamps?
 
I took my DTM 8k to the Nakayama to raise a slurry, however the slurry is very, very dark grey from the start. I tried to polish on it and the results were so-so. Im going to start over with the stone I recieved with it and attempt the diamond plate slurry again. Ill post the details up. Off to class. See ya!
 
jonnyangel said:
I took my DTM 8k to the Nakayama to raise a slurry, however the slurry is very, very dark grey from the start. I tried to polish on it and the results were so-so. Im going to start over with the stone I recieved with it and attempt the diamond plate slurry again. Ill post the details up. Off to class. See ya!

Jon, how well can you control the slurry off of the DM? It might be too big--i.e. knocking the slurry off as it makes it, or lots adhering to the surface. That happened to me with my diamond plate.

And time for another case study...
Case Study 4--The Barber's Final exam? (Current)

So the last time I went to the barber, he gave me a big job...he wanted me to hone his last razor, a Tamahagane Iwasaki.

He gave me a pretty good test result on the honing on my OWN Tamahagane, so he gave me his to put an edge on. It's a nice little blade, considerably smaller than mine. Maybe a 9/16 to my 6/8?

CIMG2137.jpg


I like the blade--it's a nice shape, kind of a French point, and it's a hefty grind. Maybe a 3/4 to 1/2 hollow.

The shave was OK, it pulled a little, and clearly needed honing. So tonight I took a try.

I got out the big Kiita he gave me and worked up a thick slurry.

CIMG2125.jpg


This is about where you want it. The slurry here is a little dark because this stone is kind of soft, and it released a lot of the yellow into the white slurry.

I honed for a while, until the slurry started to go gray and get thicker.

CIMG2128.jpg


You can see that it's reduced considerably in volume. At this point I added water and brought the slurry back up to the beginning condition--more fluid and a greater volume.

I honed again, and repeated this process two more times.

Finally, I let the slurry thicken even more.

CIMG2133.jpg


I honed until the slurry was just a heavy paste and wiped the blade, and I DIDN'T polish on just water...I was finished.

I tested the razor on my arm hair, and very nice--the hair just lay down, defeated. I'm looking forward to the shave test!
 
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